home | intro | quiltstour-start | artprojects | bio | links | impressum |        
 

 

 

 

 

 

 
               
 

 

     

 

     

 

 
          Russian Traditional Dress Revival          
                       
       

 

   

 

   
 

 
 

Statement

 

For centuries female national dress was part of Russian identity and culture. This tradition was forcefully interrupted after the Socialistic Revolution in 1917. The recent renewed appreciation of some aspects of traditional culture and the revival of many traditional crafts inspired me, as a part of my Textile Major study, to create a body of work that seeks to reintroduce folk dress into contemporary Russian culture.

 

A cold climate and the availability of locally produced materials dictated the first form of the Russian dress in Ancient Rus. Close religious, political, economic, and cultural ties with the Byzantine Empire had a noticeable affect on the form of clothing, especially that of the nobility. The Viking origin of the Rus rulers, the interaction with their Scandinavian neighbours in the north, and trade with Western Europe were also influential in this development.

 

The reign of Peter I during the 18th century brought changes into every aspect of life, including two key developments in the history of Russian costume: the Russian nobility was forced to adopt western “German” dress; the lower classes and peasants were left out of those reforms and continued to guard and develop forms of traditional dress.

 

 
  Overview  
     
   
         
   
         
click on the pictures to get a perfect view
         

Up until the Revolution, traditional Russian costumes were noted for their straight-cut, freely-flowing lines. General features included the ornamental nature of the decoration and the way of wearing several garments one over the other as a “multi-layered” costume ensemble. The “sarafan” ensemble became widespread in Russia at the turn of the 18th century and was comprised of a shirt, sarafan-dress, belt, and apron.

 

During the revival of Russian national culture in the 19th century, folk dress once again came into prominence. The imperial court adopted a specificly Russian style of dress with slashed sleeves, embroidery, and a headdress-kokoshnik. The sarafan was an everyday item of dress for peasant womenfolk and urban women belonging to the merchant, petty bourgeois and other sections of the population. The developing textile industry of the 19th century and adaptation to an urban environment influenced the fabrics and garments: cotton fabrics began to vie with flaxen and hemp textiles; brightly patterned manufactured calico replaced homespun linen. The traditional headdress gradually gave way to shawls and kerchiefs with vivid floral patterns.

 

This development changed abruptly with the onset of the Russian Revolution when many folk crafts and traditions, perceived as alien to the Soviet regime, went into decline. Though some textile crafts persisted (such as Vologda lace making and Orenburg shawl knitting), the traditional practice of making and wearing folk dress disappeared entirely.

     
 

Details

 

 
  click on the pictures to get a perfect view  
         
         
         
         
         
         

 

 

 
   
 
                     
         

 

       
         

 

         
                     
         

All articles and links, not written by rebellog,  are quotations. The articles and links we present in these pages we found at the time to be interesting. As a matter of principle, we cannot accept any restrictions to links with pages of dubious content. Judgement is left to the responsibility of the visitor. 

 

Any occasional infringement on the copyright of others is unintentional.  Please advise me of such cases by e-mail so that the text or photo in question can be immediately removed.  Foreign texts are generally marked by stating the author or the source, provided that the author is known. Such texts are to be regarded as quotations.  If in rare situations pictures or graphics are displayed, they are marked also and should be seen as a meaningful part of the citation.  None of the rebellog pages are commercial. (more under Copyright)

     

 

 
                     
 

 

     

Best view with 1280 x 1024

     

 

 
         

home | intro | quiltstour-start | artprojects | bio | links | impressum |  

         
         

Editor:  Robin Renitent   Graphic content designed by rebellog:  Berthold Byte   

© 2006 rebellog/Sveta